Amplifier, Speakers, Mixer, Radio Mic, Feedback Killer and accessories
£450 Newtown

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KUSTOM PA SOUND SYSTEMS - KPA100
Compact portable PA system.
The Kustom Profile 1 PA package is light weight with chunky built-in handles and is easy to install and set-up. Only two speaker cables to connect the PA system together.
The 100w powered mixer amp features:
•5 inputs ch.1-4 balanced microphone or line and ch5. for CD player / laptop / cassette player or instrument
•All input channels have separate volume, tone & effect send controls
•Separate stereo line input & record output
•2 x 6 metre speaker cables included (also 2 x 10 metre extension speaker cables included)
Onboard digital effects are also available in the Profile 1, with a choice of reverbs, echoes and chorus settings to choose from. A master control section selects overall reverb and playback level, with a three band EQ setup accompanied by a large rotary master volume.
•KT100 Case in a luggage style trolley on wheels
•KSS100 three speaker and amplifier stands. (only two shown in above illustration.
TECHNICAL SPECIFICATIONS
•Model: KPA100 Kustom Profile 1
•Output Power: 100W RMS 4 ohms 10% THD, 80W 4 ohms •Speakers 60w each
•Frequency Response: 20Hz-20kHz. Actual response is tailored to the speaker cabinet for accurate acoustical response
•Total Harmonic Distortion: Less than 0.4% Measured at 1 VRMS (0dBv) at record output, effects send, or insert output
•Crosstalk: 80dB Channel to channel, 1kHz
•Input Channel Equalization: One control knob that activates a special curve that adjusts bass, mid, and treble frequencies
•Master Equalization: 3 controls - 100Hz (Bass), 1kHz (Mid), 10kHz (Treble) all ±12dB
•Digital Effects: 24 bit DSP, 8 effects; small room, large room, small hall, large hall, chorus, chorus reverb, slap back (delay), echo
•Phantom Power: +15V Applied to all Mic Inputs thru 3.3K resistors
•Footswitch Control(Optional): Digital effects ON/OFF and Channel ON/OFF (playback remains active)
•Power Requirements: UK 230VAC/50Hz, 100W nominal
•Dimensions of the amplifier/mixer unit: 326mm h x 226mm w x 270mm d
•Dimensions of the speaker: 483mm h x 216mm w x 270mm d
•Total weight of system including optional extras 37kg

Pro Sound Mixer

ProSound MMX-410 4-channel Pro Mixer

•4-channel stereo mixer
•2 mic inputs with echo feature
•8 built-in sound effects
•Crossfader with channel selectors
•7-channel equaliser
Includes 2 pairs of phono leads

Sennheiser Radio Mic. and Receiver

The BF 1053 is a pocket-format relay unit for cordless transmission of microphone signals. The enclosed MKE 2-1053 plug on microphone receives its power supply from the transmitter unit, which is also equipped with a microphone sensitivity switch for minimising noise and distortion.

Special features
•compact unit with convenient controls
•selection of two channels (at both transmitter and receiver)
•licenced in all major markets
•microphone feed sensitivity switch
•simple operation with 9-volt compound battery
•8 hour operating time with alkaline-manganese battery
•120 Db signal-to-noise ratio

The BFR 1051 Compact, powerful, easy-to-operate true diversity receiver, is to be used in conjunction with the Sennheiser BF 1051 transmitter microphone, BF 1052 guitar transmitter or BF 1053 pocket-format transmitter.

Special features
•Interference-free operation thanks to true diversity
•Efficient noise suppression and excellent dynamic range thanks to HiDyn plus
•Suitable for 19" rack installation, 1 height unit (GA 1051)
•Power supply via mains transformer or 12 V car battery
•Switchable to two frequencies

Transmitter / BF 1053-VHF Twin Channel
BF 1053 Pocket-Format Transmitter
Low frequency response range 40 - 18,000Hz
Signal tp noise ratio 120 dB()A)
Maximum input voltage 2.7 V
THD at 1kHz <1 % at max. input voltage
Noise and interference suppression system Sennheiser HiDyn plus
Carrier frequencies 2 switchable VHF channels
Channel 1 173,800 MHZ
Channel 2 174,100 MHZ
Modulation type / pre-emphasis Wide band FM / 50µs
Normal peak deviation ± 40 kHz / ± 56 kHz
Transmission power 50 mW
Battery IEC 6 LR 61 9B, alkaline
Operating time up to 8 hours continuous operation
Dimension 105 x 63 x 26 mm
Weight 155 grams including battery

MKE 2-1053 microphone
Directivity isotropic
Sensitivity 130 dB at 1 kHz (K = 1%)
Cord length 1.5 m
Dimensions diameter 6 mm
Plug jack LEMO coax

Diversity Receiver BFR 1051 Twin Channel
Receiver 2-channel diversity superheterodyne
Frequencies 2 switchable VHF channels
Channel 1 173,800 MHZ
Channel 2 174,100 MHZ
Sensitivity < 5 μV / 100 dB Signal-to-noise ratio
Modulation/deemphasis FM / 50 μs
Nominal dev./peak dev. ± 40 / 56 kHz
Output, balanced, XLR-3 5 V, adjustable at 1000 Ω
Output, unbalanced, 6.3 mm jack 2.5 V, adjustable at 1000 Ω
Compander HiDyn plus
Signal-to-noise ratio 116 dB (A)
THD < 1% for 1 kHz and nominal dev.
Frequency range 40 - 20,000 Hz
Squelch 4 μV - 300 μV, adjustable
Dimension in mm/weight 213 x 145 x 44 / 700 g
Mains transformer 120 / 230 / 240 V AC ± 10 %
Also includes 1 mains transformer
2 telescopic antennae
1 cable, 2 x XLR connections
Carry case
PDF manuals on disc

Behringer - SHARK DSP 110

•Digital 24-Bit Multi-Function Signal processor
•Ultra low-noise Mic/Line input stage with Gain control and +48 V phantom power
•Automatic Feedback Destroyer with Learn function
•Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec.
•Noise gate with automatic and manual parameter adjustments
•Super-musical compressor with variable density
•Level conversion from line to mic level and vice versa
•Subsonic filter with adjustable cutoff frequency
•High-quality components and exceptionally rugged construction ensure long life
•Conceived and designed by BEHRINGER Germany

Crystal-Clear Sound Without Feedback
Thanks to its intelligent "Learn Mode," the SHARK DSP110 can automatically equalize your PA and protect your sound system from feedback. BEHRINGER's search algorithm assures that feedback frequencies are attenuated within a fraction of a second, using narrow, 1/60 octave single-shot filters. The remaining 12 filters automatically take action as required. Only the specific frequencies that are causing the feedback are attenuated, leaving your music powerful and alive.
The Perfect Delay Tactic
Delay lines are required to compensate for time variations resulting from speaker positioning in large venues. The Shark's delay can be adjusted in meters, feet or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several Sharks with the optional rack-mount kit puts a complete professional speaker management system at your fingertips.
Mic Preamp, Di Box, Level Converter
The SHARK DSP110 sports servo-balanced inputs and outputs (XLR and 1/4" phone), which can be switched between line-level and mic level at the touch of a button. The DSP110 is a serial device, meaning it is inserted directly into the signal path. Just plug your mic or acoustic guitar into Shark’s input and connect the output to your mixer channel. Optionally, you can use your mixer’s channel insert loop to apply the DSP110 to the signal. You can even connect the DSP110 between the mixing console and a power amp.
The adjustable mic preamp with switchable +48 V phantom power and Ultra-Low Noise technology guarantees noise-free, ultra-musical sound. You can choose professional studio (+4 dB) or microphone output level, so the Shark can be directly connected to the mic input of a recording device. Virtually any type of signal can be connected and converted.
Automatic Noise Gate, High-Pass Filter and Compressor
Here are just of few of the SHARK DSP110’s built-in processors:
• A fully automatic noise gate, with its own "Learn" mode, suppresses noise during silent passages, and prevents the resonance build-up associated with complex signals, such as acoustic instruments.
• The High-Pass filter, with its freely adjustable cutoff frequency, can be fine-tuned to eliminate mic handling noise and wind noise, as well as a host of infrasonic anomalies.
• The compressor provides effective signal density enhancement and overload protection with 2 simple parameters: Density and Speed.
High-Quality Build
The DSP110 is constructed using only the highest quality components. State-of-the-art 24-bit A/D (analog to digital) and D/A converters ensure optimal audio quality. The DSP110 gets its tremendous processing power from 24-bit DSP circuitry from Texas Instruments.
Everything Is Illuminated
In spite of its compact dimensions, the Shark DSP110 offers maximum functionality and transparency of operation. A 6-segment LED chain with clipping indicator displays the internal level. An additional 12-segment LED chain indicates filter status, and a 4-digit multi-functional display assists in setting delay times, noise gate threshold, compression ratio, and subsonic filter cut-off frequency.

Hand Microphones
Dixon MD1151 dynamic uni-directional – with 3 metre fixed lead with 6.3mm Mono Jack

Audio-Technica Pro282 dynamic uni-directional – with 6 metre plug in lead XMR to 6.3mm Mono Jack

Also 2 x 3 metre microphone leads XMR to 6.3mm Mono Jack
Asking price £450.00 serious offers considered

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